
Sixty years ago today, Charlie Parker entered C.P. MacGregor Studios in Hollywood for his first session in over seven months. Two fine ballads were recorded: "Dark Shadows" and "This Is Always" with singer Earl Coleman, who was there at Parker's insistence and Ross Russell's dismay. His previous session, on July 29th, 1946 yielded two of the most harrowing and tortured ballads ever recorded, "Lover Man" and "The Gypsy". There was a panic on Central Avenue and Bird, strung out and dope-sick suffered a breakdown, that landed him at Camarillo State Hospital the following day. As painful as they are are, these two records, which Bird pleaded with Ross Russell not to release, are extraordinary. On "Lover Man", Bird misses his intro and the piano plays on while he finds his place only to unleash the most anguished solo of pure and heartbreaking beauty. Without taking time to playback the take, Russell had the band led by trumpeter Howard McGhee start the next selection, "The Gypsy". Here they are, coupled with the 1947 Earl Coleman session in all their pain and glory, one take each, for eternity.

REAL GONE

REAL GONE

Photo: © William P. Gottlieb 1946

REAL GONE

REAL GONE
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*** For the sake of fidelity, all selections here are taken from the out of print 1989 Stash Records' The Legendary Dial Masters, Volume One. These are, in my opinion, the best sounding versions of these available on compact disc, and mastered from somebody elses 78's in much better condition than mine.
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